Volume 3, Issue 2

Open Issue

Blossom Stefaniw, “At Home in Archival Grief: Lost Canons and Displaced Stories,” 1-17.

KEYWORDS: Canon, archive, Christian history, ethics of scholarship, imagination.

Abstract

What happens when desires for homogeneity, belonging and possession conflict with realities of migration and loss? What happens when the life of the scholar and the life of the exile are imagined together? What does it mean to live simultaneously within two clashing narratives, as so many scholars do? And what if we treat the past as something other than our homeland? The following stories about archive, canon, and patrimony are also questions about scholarly subjectivity. By recounting scenes of living at odds with racialized or gendered narratives of the proper location and embodiment of knowledge, I seek to expand scholarly imagination. There are many more ways to relate to the past through the Classical or Christian archive than through simple assertions of continuity. Archival grief may be the condition to which the scholarly imaginary is subject.

Huw Thomas, “‘The Mote in Thine Eye’: An Analysis of the Bible in Cartoons,” 18-40.

KEYWORDS: cartoons, editorial cartoons, humour, General Theory of Verbal Humour (GTVH), visual metaphor, Knowledge Resources, intertextuality, script opposition, targeting, Jyllands-Posten controversy.

Abstract

The targeting of religion in editorial cartoons has become a source of controversy. Particular tensions emerged following the publication of the Danish cartoons, a set of cartoons representing the Prophet Mohammed, published in Jyllands-Posten in September 2005. This research analyses cartoons from a different source, the satirical magazine Private Eye, with an eye towards the varied treatment of religion in this publication and the Jyllands-Posten cartoons. It focuses on the way the Bible features in Private Eye cartoons, and uses the semantic tool, the General Theory of Verbal Humour (GTVH), to analyse the way humour works in these cartoons, the target they aim at and the way the Bible features in the intertextual references of the reader. Analysing the targeting of such cartoons it concludes that there is a difference between the use of the Bible as a means of targeting other subject matter, as is evident in Private Eye examples, and the targeting within the Danish cartoons.

Rebecca Raphael, “Sacred Schematics, or Ships and Sanctuaries,” 41-62.

KEYWORDS: Star Trek, fan studies, Jewish temple, Ezekiel, Talmud.

Abstract

This paper compares the development of fictional ship schematics for the original Star Trek’s Enterprise to the scribal schematics of the Temple in two key biblical passages (1 Kings 6 and Ezekiel 40-44) and a Talmudic discussion of the Hall of the Hearth. By centralizing spatial construction over narrative or historicity, we can see some features of fan creative activity that are distinctive to spatiality. While a connection between these documents and actual structures (temple, spaceship) is both possible but not-currently-real, I argue that such passages have a similar blending of basic concepts, real structures, and sheer imaginal elaboration. As with the fan’s engagement with ship schematics, the scribe or exegete’s activity in Temple schematics finds a significant part of its value in the imaginal activity itself, which demands a deep attentiveness and opens on to imaginal independence from “real” places.

Tom de Bruin, “The Haunting of Jesus: Reading Mark Through the Gothic Mode,” 63-86.

KEYWORDS: Gothic, Hauntology, Insanity, Mark (Gospel), Messianic Secret, Spirits.

Abstract

Spirits and the associated messianic secret play a central role in the Gospel of Mark. In this article I present a Gothic reading of the gospel. In the beginning of Mark, Jesus is driven by a spirit into the wilderness. In this Gothic, liminal space—filled with beasts, demons, and angels—he battles and overcomes the forces of darkness. Yet evil powers continue to make their presence felt in the rest of the narrative. Gothic literary criticism provides a fruitful domain in which to explore the way the spirits haunt Jesus. Utilising the concept of hauntology, I examine the interplay between Jesus and those that haunt him: the demons and his messianic secret. Gothic theory and hauntology elucidate the dark side to the good news Jesus preaches, demonstrating how Jesus and his good news haunt his followers and Mark himself.